Luca Guadagnino's button-pushing potboiler After the Hunt is all smoke and no fire. It raises tons of questions, offers no answers, and then sits back in the smug assurance that simply raising difficult issues is a victory of great moral and artistic virtue. As someone who has long quoted Spike Lee's insistence at the 1989 Cannes Film Festival that 'œIt isn't the job of movie makers to offer solutions. All we can do is present the problems,' it would seem that I would be in strong support of After the Hunt's provocations and ambiguities. And, in theory, I ... Read More