In Beetlejuice Beetlejuice, the long-delayed sequel to Tim Burton's 1988 supernatural comedy, you feel the tension between Burton the analog wizard of animation, Claymation, and elaborate set design who began his career with Pee-Wee's Big Adventure (1985) and cemented it with Batman (1989) and Burton the postmodern maestro of Disney-produced digital hijinks who has wrangled 1's and 0's into elaborate reimaginings of Planet of the Apes, Alice in Wonderland, The Wizard of Oz, Charlie and the Chocolate Factory, and Dumbo. Burton has never fully ceded his status as oddball auteur extraordinaire, although it has been ages since he ... Read More